Three years after Richard Brinsley Peake’s Presumption, Henry M. Milner wrote a play that might be the greatest stage adaptation of Frankenstein in the entire nineteenth century. And he accomplished it by ignoring virtually everything that Peake had done – and virtually everything that Mary Shelley had done.
Sources:
Henry M. Milner, Frankenstein; or, The Man and the Monster!: www.searchengine.org.uk/ebooks/37/14.pdf
“TP Cooke in Paris” on Frankensteinia: The Frankenstein Blog: frankensteinia.blogspot.com/2011/12/
“Demon of Switzerland and The Man and the Monster” in Romantic Circles: www.rc.umd.edu/editions/frankenstein/Pop/manmonster
“H.M. Milner” in Mary Wollstonecraft Shelley: An Academic Wiki: mary-shelley.wikia.com/wiki/H._M._Milner,_Frankenstein;_or,_The_Man_and_the_Monster_(1826)
Music:
“Cold Funk” by Kevin MacLeod
“Sicilian Breeze” by Topher Mohr and Alex Elena
“Comfortable Mystery by Kevin MacLeod
“Light Thought” by Kevin Macleod
“Secret Second Earth” by the 129ers
This episode features the voices of Paula Matzke and Curtis Matzke. Curtis can be found at www.unfurnishedfilms.com/.
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